![]() ![]() This will usually be between 1.0 and 3.5, depending on the clarity and resolution of your image.Ĭlick on the eye icon next to the Texture layer to make the layer visible again. In the dialog box, adjust the blur until you can no longer see any of the model's pores. Step 2: Apply blurĬhoose Filter > Blur > Gaussian Blur from the dropdown menu. Name the lower duplicated layer Blur and the upper duplicated layer Texture.Ĭlick the eye icon next to the Texture layer to make that layer invisible. Select the two correction layers and stamp them by typing CTRL+A+E (COMMAND+OPTION+E on a Mac).ĭuplicate the new stamped layer two times. You'll need to stamp the redness correction layer and the spot correction layer into a new layer while retaining our original background layer. The next stage of the skin retouching process is the easiest and quickest, and involves some fancy layer treatments. In the end, they'll add up to enhance the overall appearance. When you zoom out and view your image as a whole, you may not notice all the individual changes you made at once. Begin at the far edges of wrinkles and work your way in, using a very soft Healing Brush and trying not to remove wrinkles completely. Step 3: Smooth out fine lines and detailsįinally, choose the Healing Brush tool and work on any wrinkles. As you work, you can change the size of your brush as needed, depending on the area you are working on. Next, move to the face, and carefully use the Clone Stamp tool to remove any pimples and stray hairs, and fix makeup if necessary. As you work, remember to keep the hair looking natural the last thing you want is for the head of hair to start looking like a helmet. Work on smoothing out stray hairs and flyaways around the head first. Release the ALT (OPTION) key and "paint" with the tool on the area you want to correct.Īs you use the Clone Stamp tool (and the Healing Brush tool), remember to choose selections that are very close to the area you're trying to fix, to ensure smoothness (and believability) with your colors and textures. With the ALT (OPTION) key still pressed, click on the image. To use the Clone Stamp tool (and the Healing Brush tool), find an area of the image you want to correct, and then move your cursor to a nearby area that's the same color but smooth in texture. Set the opacity to between 40% and 50%, and make sure the sample is set to Current & Below. Both of these tools work by selecting an area of the image that you want to create a selection from, and then "painting" over the blemish, wrinkle, or stray hair with the selected portion of the image.Ĭreate an empty layer above your Redness Correction layer and name it "spot correction." Step 2: Fix the big stuffįirst, select the Clone Stamp tool from the Toolbar and set your hardness to 30% or lower. It's also the easiest step to mess up, so we'll keep all of our adjustments in a separate layer that you can erase or paint over without affecting your Redness Correction layer.įor this step, we'll be using a combination of the Clone Stamp tool and the Healing Brush tool. ![]() This stage in the process is by far the most time-consuming, and will require your artistic eye. We also want need to keep all of the face's features in place freckles and dimples, for instance, need to stay where they are. Remember, when doing Photoshop face retouching, the ultimate goal is to keep the model looking realistic, so we don't want to eliminate ALL wrinkles. The next step in the skin retouching Photoshop tutorial is to remove blemishes, smooth out stray hairs, and soften wrinkles. How to smooth skin and edges in Photoshop Leave the Saturation and Lightness sliders at 0.Ĭlick OK. Here, we moved the slider just to +5 your number will most likely be between +2 and +8. ![]() Move the fuzziness slider toward the left if the selection area looks too large.Ĭhoose Select > Modify > Feather from the dropdown menu and set your feather radius to a low number, such as 5 pixels.Ĭhoose Image > Adjust > Hue/Saturation (or click CTRL+U on a PC, COMMAND+U on a Mac) from the dropdown menu and move the Hue slider to the right until the redness is reduced, but the change remains subtle. ![]() Usually, the tip of the nose is a great place to start.Ĭhoose the eyedropper tool with the + symbol to add to the selection, clicking on parts of the face that also need attention - this might be the areas around the eyes or tip of the chin. Click on an area of redness on the face within the image itself (you may need to move the dialog box out of the way to get to the image). In the dialog box that appears, make sure the radio button next to Selection is chosen at the bottom of the box, and select the eyedropper tool on the right-hand side of the dialog box. In the dropdown menu at the top of the application window, choose Select > Color Range. ![]()
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